Wire Sitter- by Greg Newbold, Acrylic- 9" x 18"
The stories of childhood leave an indelible impression, and their author always has a niche in the temple of memory from which the image is never cast out to be thrown on the rubbish heap of things that are outgrown and outlived. -Howard Pyle
The emotional response we get from viewing a painting is often less about the painting than it is about the emotional connection that we as observers bring to the viewing of the work. I try to create in my work an environment in which one can visit for a while, perhaps rest or even contemplate. I think great art of necessity is a participatory experience. If the viewer doesn't bring their own experience into the equation, if it elicits no response, is it really art? I am not talking about art whose sole purpose is to shock or offend- that type of response is a subject for another day. I am speaking of a real connection, where you feel the soul of the work. Many times people will comment to me that something I have done "reminds them" of a certain place or time, that it speaks to them. This is when I know I have done my job well and that satisfaction doesn't come until afterward.
This painting is from the book Spring Song written by Barbara Seuling.
I completely agree. I like this landscape because I want to take a run through it. There is a feeling of anticipation and opportunity here. Its optimistic.
ReplyDeleteAmazing piece!Love the colors and concept!Great post!
ReplyDeleteLove his nostalgic piece.
ReplyDeleteWonderful! Has a Grant Wood feel.
ReplyDeleteThis is just all kinds of awesome, and makes me wistful for my childhood.
ReplyDeletereally wonderful, love the clouds and the feel of this piece.
ReplyDeleteThanks for the great comments everyone. Makes me feel like I have connected with this one.
ReplyDeletei love this so much :)a little Thomas Hart Benton is in this too ;)
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