Storm Over Kolob - Progress

Storm Over Kolob - Work In Progress; Oil by Greg Newbold; 30" x 40"

I now have the entire canvas blocked in. Even though the entire canvas is covered, some areas feel much closer to finish than others so I still have a lot of work to do. Now comes the process of laying in a second pass or "skin" as some artists call it. I will concentrate on adjusting values where needed by pushing things darker or bringing up the highlights. I will also focus on adjusting hue and saturation. In areas where colors are a bit intense, I will neutralize things. I also want to make sure the temperature shift from the warm sunset light to the cool shadows is consistent. Right now I think some areas are still a bit too warm or too cool. Concentrating on having a nice consistent surface with texture where it should be and interesting brushstrokes will also be in the working mix. Should be fun finishing this up.

Previous progress on Storm Over Kolob

Storm Over Kolob - Study

Storm Over Kolob- Study; 8" x 10" - oil by Greg Newbold

I am undertaking what is to this point the largest oil painting I have ever done. I set a few goals this year for my art and one was to finally begin to do "epic" size work. For me that meant anything bigger than 32" on a side.  The subject for this first large painting is that moment of fading light and cloud I witnessed at Kolob Canyon on a 30" x 40" canvas. The inspiration for this painting was a study started on site as the last painting in my southern Utah painting trip with Richard Hull last fall. We had about 35-45 minutes to paint and the lighting conditions were shifting so much that I really didn't get much more than a rough block-in. I did like the basic structure of the scene including the storm clouds. I was struck also by the way shadows crept quickly up the vista and completely obscured the light in a matter of about five minutes at the end of the day. I was scrambling to  capture something in the fading light but then resolved to do the scene justice later.

Well later is right now. Along with my photographs, I used my on site study as the under painting for a more resolved piece. Some plein air purists will cringe at this but I figure that I really didn't capture anything more worthwhile than some color notes and basic structure, so I had no qualms painting right over it. If you follow my blog, you'll note that most of my plein air studies are polished up in the studio anyway. After the study was more or less resolved, I transferred the painting design to the canvas using a grid system. My canvas was a pre-stretched number that I thought would save me some time preparing. As I applied several coats of gesso, since I really dislike the mechanical weave of factory canvas, I noticed that the tightness of the canvas was not to my liking either. I removed the staples from two sides and pulled another quarter inch of slack out of the fabric. I didn't save any time and now I think I may have to start stretching my own canvases in order to get what I like.

Storm Over Kolob-Work In Progress; 30" x 40" oil on canvas

With the drawing laid in. I gave two light coats of a reddish brown acrylic to stain the surface and seal in the drawing. I used a damp sponge rather than a brush. Acrylic allows me to get painting almost immediately since the gesso coats seal the surface and the tint coats are really thin. This progress shot is about halfway through the block in phase. After the canvas is all blocked in, I will make another pass over the entire piece and then I will probably have one last session to bring up any highlights that need to be pushed or glaze back any shadows that want to go deeper. for me, a canvas this large feels like a lot to chew on, but I am having fun and it seems like it is coming together well. I am glad I took the time to do a good small study though. I have about a week to get this thing singing- wish me luck!

Kolob Canyon Finished

Early Light - Kolob, 8" x 10", oil on canvas panel.

I just finished up a couple of paintings I started on location last fall at Kolob Canyon, Utah. Neither of these was where I hoped they would be by the time I lost the lighting pattern altogether, so I figured I would tickle them up in the  studio before sending them off to my gallery. They will both probably be hanging at Williams Fine Art shortly. This one is 8" x 10", oil on Raymar panel. I don't usually use canvas panels, but I was out of 8x10 size and bummed this one off my friend Ron Spears as we painted together. I am usually annoyed by the weave of canvas panels, so I make my own by putting a few coats of gesso on  Masonite, but this weave was a pretty tight linen and worked pretty well. I'll show the other one later.