Mount Olympus- Rough Stage

Mt. Olympus (work in progress) 24" x 20" oil on canvas by Greg Newbold

I get basically this view out my front door every morning with the exception of the foreground elements. Mount Olympus rises from the valley floor to a height of 9,026 feet and is one of the most recognizable and picturesque peaks in the Wasatch range. I love seeing it every day and I figured it was about time I painted it. One evening a few weeks back, just after a spring snow, I took my camera in search of an angle that would eliminate most of the houses that pack the base of the mountain. I wanted an uncluttered vista that would focus on the geometry of the peak. It was just minutes before the sun would set as I hopped on the belt route to look for a high bench spot in which to capture the last light of the day. Lucky for me, I found a commercial building on top of a rise on the east bench of Salt lake City that backed onto a sage and tree filled empty lot. The clouds parted just enough for me to capture the setting light as it illuminated the peaks and the foreground trees and sage. This is the first pass and I will probably put in at least two more painting sessions before it is done, but I like to get the initial statement down as quickly as I can. This is probably about 3-4 hours of painting time including the drawing.

Dragon Mountain Sketch

I'm doing another project for Boys' Life Magazine right now. This one is a little different in that it will be a teaser for a writing contest. Boys from all over the country will be able to "finish the story" and prizes will be awarded for the best writing. This drawing is for the second spread. I will be painting these in Photoshop and will post the final versions when they are done. The sketch for the first spread is on the table right now and I will post it soon.

Death Trap- Preliminary Drawing

Once again, I am doing a couple of posters for our regional playhouse Pioneer Theater. Last year I did work for A Christmas Carol: the Musical and this year I have agreed to do two new posters. The first is for a murder mystery called Death Trap, the 1978 thriller by Ira Levin who also penned the creepers Rosemary's Baby and The Stepford Wives. The plot revolves around washed up playwright Sydney Bruhl who is approached by a former student Clifford Anderson to read a new play he has written. The play turns out to be fantastic and Bruhl hatches a plan to kill Clifford and steal the script for his own. Many plot twists ensue and the ending is quite a surprise. The weapons in the drawing represent the collection of stage props that decorate one wall of Sydney's house and are also used to knock off the main characters. I wanted something that was ambiguous enough to not give away anything but mysterious enough to draw in the viewer. As soon as I get sketch approval I will move to finish on this one.

Baby Stormalong

This is part of the Stormalong series I did a couple of years back that I described in my last post. The future folk tale hero started life out large and only got bigger. This one depicts the moment when the villagers find baby Stormy on the beach. I am just not sure where you get diapers for a baby that big.

Stormalong background info on Wikipedia

Tribute to Stormalong

I was updating some portfolios last weekend and found a series of paintings I did a couple of years back for the American Fable Stormalong. The story of Alfred Bulltop Stormalong who begins life as a larger than life abandoned baby who is raised by an entire harbor town. He was hauled back to town in a wheelbarrow and continued to grow until he was as large as a whale. Stormy then goes on to have all sorts of adventures as a sailor on the high seas. In the end, a statue is erected in the town square
as a tribute to his legacy. I have enjoyed American Tall Tales since I first heard the Paul Bunyan legend, but I was not as familiar with this one. I did a total of nine images for this story that was included in a reading anthology textbook for elementary aged students. I'll post some of the others I have not posted before later this week.

Battle of Bosworth 2 - Finished

For Want of a Nail - Oil on board, 19" x 10" by Greg Newbold

As I explained when I posted the sketch version of this piece, the symbolism of King Richard III's fall is carried by the rumpled battle flag on the ground and the thrown horseshoe. I preferred this to the the proposed mob battle scene. I think it says more with less and the first piece is plenty to set the battle scene. This ended up being more fun than I thought when I took on the project. I especially likes painting the contrasting textures of the flag, the grass and the horseshoe.

Battle of Bosworth 1 - Finished

Richard III falls in battle signaling farewell to the Plantagenet Dynasty in Britain. I  think this one is done, barring any feedback to the contrary from the client. I enjoyed the challenge of creating a battle scene and overall am pretty pleased with the result. Despite the vibrant primary colors in the heraldry, I think that the neutrals carry the show which is what I wanted. What do you Think?