Showing posts with label From the Sketchbook. Show all posts
Showing posts with label From the Sketchbook. Show all posts
Monday, February 13, 2012
Thursday, December 22, 2011
Sketches from a Maui Christmas
We trekked the infamous Hana Highway, a winding sometimes one lane road that is not for the faint of heart (or stomach for that matter). I was driving, and you could not stop at many places along the road so the sketches were done after we reached our destination at the state park. My photos somehow did not include the above scene, so I found this one online.
There were little villages scattered along the coast that could be seen from the highway above. It is interesting to note how my eye edited the scene to include much more than the camera lens captured, including adjacent fields and the curve of the shoreline. I think my sketch more effectively captures what I felt in that moment.
The most interesting contrast came from comparison of my sketch from the Black Sand Beach at Wainapanapa State Park. I got up before sunrise and tried to capture the essence of the place in photos and with a sketch. I noted my thoughts in the sketchbook as well:
The Drive to Hana was amazing, nothing short of spectacular. To think of the variety of terrain and plants on this one island is mind boggling. The Lord certainly created a masterpiece here. The Black sand beach was very cool. When the waves rushed out, the tiny black rocks in one section would clatter along the shore toward the water only to be pushed back in with the next rush of sea. When a big wave hit,the force could be felt through the sand like thunder.
Black Sand Sunrise- Wainapanapa State Park, Maui
I think as an artist it is essential to not only observe and photograph what we see but that making location sketches and studies cement our reactions to a scene more effectively and accurately in our minds.
Wednesday, May 25, 2011
Angler Fish Goes Green- Color
Angler Fish Goes Green- 7" x 6" digital
Thursday, November 18, 2010
Steampunk Spaceship 2
As I mentioned last post, I am working up a little piece that I can paint at a charity quick draw auction tomorrow night. I have never been particularly fast as a painter, so in order to ensure that I can finish, I know I need to get a good start beforehand. I pulled one ship from the sketch in the previous post and redrew it. I changed some of the proportions and details, like adding a smokestack. Smokestacks are totally incongruous with space travel, I know, but fun nonetheless. I then took the sketch into Photoshop and did some basic coloring. The second image is what I call my "digital under painting".
I intentionally keep the contrasts low and the values darker than normal so that I can bring up the highlights with paint. I then print this out on my 13" x 19" Epson printer, mount it on a board and paint over the top. I do this often to save painting time as I can get certain effects like the smooth gradient in the background much faster and easier than I can physically paint it.. Some ask why I bother, why not just finish it digitally? Well, first off, I love paint. I love the tactile interaction I get while painting. I love the organic quality, I love the incidentals and "accidents", I love the fact that there is a physical artifact left over after the process. Don't mistake my comments as a knock against digital work. I am still diligently trying to learn to paint with pixels as I believe it is a valuable skill, but there is something in keeping up with actual painting that I know will make me a better digital painter- eventually. I'll post more as this project moves along.
I intentionally keep the contrasts low and the values darker than normal so that I can bring up the highlights with paint. I then print this out on my 13" x 19" Epson printer, mount it on a board and paint over the top. I do this often to save painting time as I can get certain effects like the smooth gradient in the background much faster and easier than I can physically paint it.. Some ask why I bother, why not just finish it digitally? Well, first off, I love paint. I love the tactile interaction I get while painting. I love the organic quality, I love the incidentals and "accidents", I love the fact that there is a physical artifact left over after the process. Don't mistake my comments as a knock against digital work. I am still diligently trying to learn to paint with pixels as I believe it is a valuable skill, but there is something in keeping up with actual painting that I know will make me a better digital painter- eventually. I'll post more as this project moves along.
Tuesday, November 16, 2010
Steampunk Space Race
Labels:
Charity,
From the Sketchbook,
science fiction,
Steam Punk,
Steampunk
Tuesday, November 9, 2010
Chameleon
Labels:
From the Sketchbook,
Photoshop,
sketchbook paintings
Monday, October 25, 2010
Alabama Hills
The unfortunate side affect was that the skied were overcast and the light relatively flat. I would have loved to have seen these rock formations on a clear day along with what I am sure would have been fantastic shadow patterns. As it was, the rocks were unbelievable. The outcroppings jutted out of the ground everywhere at every angle, some as large as 30-40 feet high. Eons of wind and rain have weathered them into rounded mounds fractured with fissures and cavities.
It is no wonder that Hollywood has filmed more than 300 feature films, TV episodes and commercials among these incredible rocks formations (including Iron Man, Gladiator and the classic monster spoof Tremors). I was mesmerized. Here are a couple of the photos I took along with the sketch I made. I'd love to go back someday and really paint them. Until then I will have to be satisfied with my photos and painting from memory.
Tuesday, September 21, 2010
Sometimes You Don't Get The Job
thumbnail sketches for proposed Christmas book.
1.5" x 3" graphite and digital
Labels:
From the Sketchbook,
Thumbnails
Tuesday, June 8, 2010
Who Moved My Cheese?
Angry Mouse - 3 1/2" x 2"
Monday, June 7, 2010
Banjo Pig 3
Sunset Serenade - 6" x 7" - pencil with digital elements
I felt a little bad about the demise of my last Banjo Pig, so here is one seen in happier times. I scanned a crackle texture that I was experimenting with and composited it over my pencil drawing with digital color. See the ongoing Banjo Pig battle at Guy Francis' blog.
Labels:
From the Sketchbook,
sketchbook paintings
Wednesday, June 2, 2010
Hambanjo
Hambanjo - 5"x6" - felt pen and digital color
So I figured what's the point of pigs and banjos if you can't combine the two. What you get is a deluxe Hambanjo. As for the rest of the pig, go ahead and speculate, but I see that Mr. Wolf can pluck and snack at the same time. Follow the further adventures of the dueling banjo war on Guy Francis's blog "So, Cat Tacos?"
Tuesday, June 1, 2010
Banjo Pig Blues
Banjo Pig - 5" x 6" - felt pen, digital color
Thursday, May 20, 2010
Angler Fish Goes Green
Angler Fish Goes Green
7" x 6" - Prismacolor with Photoshop highlights
Labels:
Angler Fish,
fishing,
From the Sketchbook
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